Bergamot
A small, bitter orange grown mostly in Calabria. Its peel oil is bright, floral and a little peppery, and it opens more perfumes than any other note.
Note Library
Periodic table of notes
Every note named in a fragrance on this site, filed by accord, each with a brief explanation of what it is.
Peel oils: the brightest, quickest notes, gone first.
A small, bitter orange grown mostly in Calabria. Its peel oil is bright, floral and a little peppery, and it opens more perfumes than any other note.
The Seville orange. Its peel is darker and drier than sweet orange, and the same tree gives neroli and orange blossom.
A red-fleshed orange: orange with a berry-like, slightly jammy tartness.
The ancient, knobbly ancestor of the lemon, pressed from its thick peel: dry and zesty, less sweet than lemon.
No one fruit named: a mix of peel oils for a bright, sparkling opening.
A small, sweet mandarin cross: soft, juicy and hardly bitter at all.
Tart and faintly bitter-sulphurous; its key molecule (nootkatone) also smells a little of fresh wood.
Mandarin picked before it ripens: sharper and leafier than the sweet, candied ripe fruit.
Cold-pressed from the peel: sharp, clean and quick to leave.
Greener and more bitter than lemon, with a sherbet fizz. Pressed, it is fresh; distilled, it turns candied.
Sweet orange peel: juicy, round and cheerful rather than sharp.
Distilled from the leaves and green twigs of the bitter orange tree rather than its fruit: citrus gone green and woody, with a faint bitterness.
Close to mandarin: sweet and juicy, with a little tartness.
A Japanese citrus that smells like grapefruit, mandarin and lime at once, with a floral lift.
Kitchen and hillside herbs: clean, camphorous, bitter-green.
A family of bitter, silvery herbs: dry, green and camphorous, with a medicinal edge.
Sweet, green and touched with anise, like the fresh leaves.
Apple-like, herbal and hay-sweet, like the tea.
A sage that smells musky, tea-like and a little boozy, softer and warmer than kitchen sage.
An Indian artemisia that smells fruity, boozy and apricot-like. As an attar it is distilled into a base oil, often sandalwood.
Camphorous and cooling, like a chest rub; blue gum is the classic medicinal species.
A general herbal accord: dry, green, a little bitter, with no one herb named.
The flowers that make beer bitter: green, resinous and a little cheesy.
The berry-like cones that flavour gin: resinous, peppery and piney.
Herbal, clean and slightly camphorous with a floral sweetness; the heart of the fougère. Lavender from Provence is the finer, sweeter kind.
Intensely lemony leaves with a green, herbal sweetness: citrus without the fruit.
Soft, warm and herbal; gentler and sweeter than oregano.
Cool and sharp. Peppermint is the cold, menthol one and spearmint the sweeter, softer one; both touch the nerve that feels cold, so mint is felt as much as smelled.
A Mediterranean shrub: fresh and camphorous, somewhere between eucalyptus and bay.
Pungent, dry and savoury: the pizza herb.
Sharp, camphorous and woody-green, like a sprig crushed between the fingers.
Common sage (salvia): dry, herbal and a little camphorous.
Warm, dry and slightly medicinal, with a spicy herbal bite.
The artemisia that flavours absinthe: intensely bitter, green and faintly minty.
A field herb with a bitter, camphorous green smell and a hint of spice.
Leaves, stems, grass and hay: the smell of plants rather than flowers.
Leaves torn or crushed: a sharp, sappy green.
The leaves of the fig tree rather than its fruit: green, milky and faintly coconut.
A resin from a Persian plant related to fennel: piercingly green, bitter and earthy, like snapping a thick stem. A little goes a very long way.
Freshly cut or wild grass: sappy, green and sunny.
The general smell of cut leaves and stems, with no one plant named.
Unripe wheat in the field: grassy, green and a little milky.
Dried grass, sweet and warm. The sweetness is coumarin, the same molecule as in tonka.
A dark, bitter green, earthier and less sappy than grass.
The sticky spring buds of the poplar: resinous, honeyed and green, sold as balm of Gilead.
The soft, hay-like, tea-green leaves of the raspberry cane.
Tart, sappy and green, with a pink sharpness.
Grassy, green and sweet, like chewing the raw cane.
A meadow grass whose coumarin gives fresh-cut hay its sweetness.
A prairie grass that smells of vanilla and hay, from coumarin. As bison grass it flavours Polish vodka.
The sharp, pungent green that tomato plants leave on your fingers.
Cucumber-green and metallic-watery, nothing like the violet flower.
Peppery, wet and green, like the salad leaf.
Petals and blossoms, real and reconstructed.
A small white flower of mountain scree. It names a clean, cool, high-meadow impression rather than an oil.
A tiny pale-blue wildflower. Here it stands for something delicate and airy rather than an extract.
Green, dewy woodland flowers, close to hyacinth.
Spicy and floral, with a clove note running through it.
A relative of magnolia from India: rich, tea-like, with an apricot note.
Bitter-green, herbal and earthy: more leaf than petal.
An orchid made transparent: an airy floral note rather than a flower oil.
Light, peppery and fresh, with a fruity edge.
A creamy white flower with a green, mushroomy edge. It gives almost no oil, so it is nearly always rebuilt from other materials.
Rosy, green and a little minty. The leaves give a rose smell at a fraction of rose's price.
Yellow late-summer flowers: herbal, honeyed and faintly medicinal.
The blossom of the tea bush: soft, green and faintly honeyed.
Powdery and sweet, smelling of almond, vanilla and cherry pie.
Nectar-sweet, green and honeyed.
Heady, sweet and a little animalic (from indole, which also occurs in bodies). Sambac is the Arabian jasmine, greener and fruitier: the jasmine of jasmine tea.
Big lilies: spicy-sweet, with a green stem.
Fresh, green, dewy bell-flowers. Nothing can be extracted from them, so the note is always built from molecules.
Creamy and lemony, a cool, fresh floral.
The essential oil of tagetes (Mexican marigold): pungent, fruity-green and a little apple-like.
Soft yellow blossoms: powdery, with almond and honey.
An impression of a high meadow in bloom: light, grassy and floral.
The sweet liquid inside a flower: honeyed floral sweetness.
Distilled from the same flowers as orange blossom: fresher, greener and more citrusy.
The flower of the bitter orange, extracted: honeyed, sweet and heady, richer than neroli.
What perfume calls iris comes from the root, aged for years before it is extracted: powdery, cool, earthy and buttery, with a violet edge. Orris butter is among the costliest materials in perfumery.
A tiny Chinese flower that smells of apricot, leather and tea.
The flower of the passion-fruit vine: light and green-floral, usually built as an accord.
Delicate, almondy and faintly fruity.
Dusty, honeyed and a little powdery.
The queen of florals: honeyed, fruity and a little spicy. Rose de Mai from Grasse is honeyed and fresh; Damask rose from Bulgaria or Turkey is rich and fruity; Taif rose from Saudi Arabia is spicy and intense. An absolute is extracted with solvents and is richer than the distilled oil.
Delicate early-spring flowers: green, honeyed and cold.
The Tahitian gardenia, steeped in coconut oil for monoï: creamy and tropical.
The flower of the tobacco plant, which opens at night: sweet, heavy and white-floral, not smoky.
A creamy, buttery, narcotic white flower, almost rubbery up close.
Sweet, powdery and candy-like, from ionones, the same molecules found in orris.
A watery, lightly fresh floral.
Aquatic, soft and powdery-sweet.
A general sunny floral: honeyed and bright, with no one flower named.
A tropical yellow flower: creamy, sweet like banana, with a little spice.
Flesh, juice and jam.
Crisp, juicy apple: green apple is sharp and tart, red apple sweeter and rounder. Apples give no oil, so it is always rebuilt from other materials.
Soft, velvety stone fruit close to peach, jammy when preserved.
Sweet and creamy, with a slightly green, pear-drop edge.
A dark, tart berry, jammy when cooked.
Soft, sweet-tart and a little powdery.
Blackcurrant: fruity and tart, with a pungent green edge from the buds.
Red, sweet and almondy (the almond is benzaldehyde, which cherries share). Black cherry is darker and deeper.
Tart, bright and red.
Sticky, caramel-sweet dried fruit.
The concentrated, jammy sweetness of dried fruit: raisin, fig, prune.
The fruit: soft, milky and jammy-sweet.
The Cape gooseberry: tart and tropical, a little like a sweet tomato.
Sharper and more tart than red apple, with a green snap.
Tropical and sweet, with a musky, green edge.
The loquat: sweet, apricot- and plum-like, with a floral edge.
Lychee: rosy, juicy and sweet.
Juicy and tropical, a little resinous. Green mango is sharper and more resinous still.
The fruit of a West African savannah tree: rendered in perfume as a juicy, nectar-sweet tropical fruit.
Maracuja: sharp, sweet-sour and tropical.
Soft, velvety and sweet, with a creamy skin note.
Juicy, watery and sweet.
Dark, juicy and sweet-tart, with a slightly almond stone.
A hard, fragrant fruit between apple and pear, with a floral, honeyed perfume.
Bright and tart, with a violet-like sweetness.
A general accord of red berries: tart, bright and sweet.
Pineapple charred until it caramelises: smoky, sweet and tropical.
Sweet, jammy and red.
Seeds, barks, roots and peppers: heat, warmth and bite.
One dried berry that smells like clove, cinnamon and nutmeg together.
Sweet licorice, as in aniseed and pastis.
Dry, peppery heat with a fresh, woody lift.
The rye-bread seed: warm and earthy, with a hint of anise.
Fresh, citrusy and camphorous, with a warm spice underneath.
The bark of Chinese cinnamon: hotter, rougher and sweeter than true cinnamon. (Not cassie, the acacia flower.)
Hot chilli: more idea than smell, since heat is felt rather than smelled. The Carolina Reaper is among the hottest chillies grown.
Warm, sweet bark spice. Ceylon cinnamon is the lighter, more delicate kind.
Hot, sweet and almost medicinal, like the dentist's office or mulled wine.
The seed: warm, spicy and a little citrusy and floral.
Warm and earthy, with a sweaty, animal side that is hard to miss.
Smells of maple syrup and curry at once.
Fresh, zesty and warm-spicy. Fresh root is lemony; icy ginger leans cool and sparkling.
Warm, sweet and woody, with a slightly soapy edge.
Baie rose: not a true pepper but a berry. Rosy, fresh and lightly peppery.
The dried threads of a crocus: leathery, metallic, honeyed and warm.
A general warm spice accord, with no one spice named.
Earthy, warm and a little woody-bitter.
Sharp, nose-clearing heat with a green edge.
A wetland plant (smartweed) with a peppery, green bite.
Things you could eat: sweets, grains, nuts, pastry.
Sweet and marzipan-like, from benzaldehyde. Burnt almond is toasted and nutty.
Apple cooked soft with sugar and spice; a tarte tatin accord caramelises it.
Sweet-sour and dark, like reduced grape must.
Toasty, nutty grain.
Honeyed, waxy and a little animalic, like an old candle.
Walnut hull and wood: bitter, green and a little woody.
Warm, yeasty crust and crumb.
Molasses-rich sugar: deep and warm.
Rich, creamy and a little salty-sweet.
Brown sugar cooked with butter: rich and caramel-sweet.
The bean before it is chocolate: dry, bitter, earthy and powdery.
Burnt sugar: sweet, rich and slightly bitter.
The pods of the carob tree: sweet and earthy, like a dry, fruity cocoa.
Sweetened whipped cream, often with vanilla.
Cocoa made into chocolate: bitter-sweet, creamy and rich. White chocolate is the cocoa butter with milk and sugar and no cocoa solids.
Amandină is the Romanian one: a chocolate sponge soaked in chocolate syrup, layered with chocolate buttercream and glazed. Dark, sweet, moist and a little boozy.
The fat of the cacao bean: soft, creamy and faintly chocolatey.
The cocoa fruit itself, before its beans are fermented and roasted: a pale, tart-sweet, fruity pulp with the bitterness of cocoa underneath.
Cooked, sweetened milk: thick and caramel-sweet.
The molecule behind tonka and hay: sweet, almondy and warm. One of the first synthetics in modern perfumery.
Young green soybeans still in the pod, steamed: beany, green, a little sweet and nutty.
The sesame sweet: nutty, sweet and a little dusty.
Toasted and buttery, as in praline.
Ataraxia's sacramental bread: the plain, warm smell of bread, lifted into something ritual.
Sweet, waxy and floral, with an animal edge in larger amounts. Black honey is darker and more bitter.
Honey with the wax still in it: waxy, sweet and warm.
Powdered sugar: dry, sweet and powdery.
Sprouted, roasted grain: sweet, bready and a little like beer.
Maple syrup: sweet, woody and caramel.
Soft, creamy and lactonic, sometimes a little sour.
The dark syrup left when sugar is refined: bitter-sweet and smoky.
The fat of an Amazonian palm seed: soft, waxy and faintly nutty.
Soft, milky and cereal-sweet, like porridge.
Soft, green and nutty-sweet, a little milky.
Earthy, starchy and plain.
Baked biscuit sweetness with dried fruit in it.
Steamed rice: soft, milky and a little powdery.
A caraway-seeded cake (the one Bilbo offers his dwarves): buttery, warm and a little spicy.
Plain sweetness, sometimes a little burnt.
Cured tobacco leaf: sweet, honeyed, hay-like and warm, not smoke. Blond tobacco is lighter and more honeyed; an absolute is the richest extract.
Chewy, dark caramel.
The seed of a South American tree. Coumarin gives it a smell of hay, almond, vanilla and tobacco.
The cured pod of an orchid: sweet, creamy and warm. Bourbon (from Madagascar) is the classic kind; an absolute is the richest extract.
Dry grain and bread flour: warm, hay-like and cereal-sweet.
Teas, coffee and what is poured from a bottle.
The anise-and-wormwood spirit: green, herbal and licorice-sweet.
The almond liqueur: sweet, marzipan and boozy.
Roasted beans: bitter, toasty and warm. Coffee CO2 is extracted with carbon dioxide and smells closer to the fresh bean.
Aged grape brandy: fruity, woody and warm from the cask.
The soft drink: sweet, citrusy and spiced, with vanilla and cinnamon.
Unoxidised tea: grassy, fresh and faintly bitter.
An infusion of herbs: soft, green and warm.
Green tea scented with jasmine sambac blossoms.
Chinese black tea dried over pine fires: smoky, like a campfire in a cup.
A general boozy note, with no one spirit named.
Black tea brewed with milk and spices: cardamom, ginger, cinnamon, clove.
The South American herbal brew: grassy, smoky and a little like hay.
Green tea steeped with fresh mint and sugar, as it is poured in Morocco.
Half-oxidised tea: floral, toasty and a little fruity.
Not beer: a sweet soft drink flavoured with sassafras or sarsaparilla root, wintergreen and vanilla. Minty, medicinal and creamy at once.
Sugar-cane spirit: sweet, boozy and molasses-dark. Rhum agricole is distilled from fresh cane juice and smells grassier.
The fizz of soda: sparkling, sweet and light.
Carbonated water: a cold, fizzing freshness rather than a smell.
Dried tea leaves: dry, astringent and a little smoky-sweet. Black tea is the fully oxidised kind.
Heartwood, bark and sawdust.
Oud set in a warm, sweet amber accord.
Modern woody-amber molecules: dry, warm, diffusive and sometimes sharp.
West Indian 'sandalwood', though unrelated: soft, woody and a little balsamic.
Tree bark: dry, woody and a little bitter.
Birch wood and bark: clean, green and lightly smoky.
A synthetic molecule: soft, musky and woody, like warm cashmere.
Dry, pencil-shaving wood. Atlas cedar is sweeter and more balsamic; Virginia cedar is the pencil. A tincture is wood steeped in alcohol.
Nagarmotha: the root of a sedge. Smoky, woody and leathery, close to vetiver and oud.
A wood oil Pineward names in Gristmill, beside cedar planks, sawdust and smouldering logs; the house does not say what tree it comes from.
A South American wood: smoky, sweet and a little like tar and roses.
A dense, dark red wood: dry and faintly spicy.
Cedar gone damp and mouldy: Tombstone's Sweet Coffin, the wood of a coffin in wet ground.
Dry, tannic wood, like the inside of a barrel.
Agarwood: the dark, resin-soaked heartwood of the aquilaria tree, formed when it is infected by a mould. Deep, woody, leathery and animalic, and each region's oud smells different: Cambodian sweet and fruity, Indian (Assam) barnyard-heavy, Malaysian and Thai in between.
The leaves of an Asian mint relative: earthy, damp, dark and a little chocolatey. Aceh, in Indonesia, gives a prized dark kind.
Wood that the sea has worn and time turned to stone: salty, dry and mineral.
A sawn pine plank: resinous and sweet-woody.
Creamy, milky and softly woody. Mysore sandalwood from India is the legendary, now very rare kind; Australian sandalwood is lighter and greener.
Freshly cut wood: dry, sweet and dusty.
A dense, oily tropical wood: dry, leathery and warm.
The root of a tropical grass: earthy, smoky, woody and a little nutty. Haitian vetiver is the cleaner kind; Bourbon vetiver, from Réunion, the smokier.
Bitter, green and faintly medicinal: the bark aspirin was first found in.
A general dry wood accord, with no one tree named.
Needles, cones and the trees that carry them.
A mountain hemlock: soft, resinous needles.
Thuja: the leaves of the western red cedar. Sharp, green and camphorous.
Dry, green and woody, with a smoky, resinous edge.
Soft, sweet and balsamic: the Christmas-tree smell. Balsam fir is the sweetest; silver and noble firs are fresher. Momi is the Japanese fir.
The shrubby conifer itself: sharp, dry needles with a gin-like tang.
Small, woody cones: resinous and dry.
The Nootka cypress, or Alaska yellow cedar: dry, clean and woody, with a grapefruit note.
Resinous, sharp and fresh, like a forest after rain. Scotch pine is the classic; mugo is the low mountain pine.
The needles themselves: green, sharp and fresh. Dried or frozen, they are drier or colder; ponderosa needles have a vanilla-butterscotch edge.
Pineward's name for the conifers of Washington State's Snoqualmie forest: damp, green and resinous.
Sharp, green and a little citrusy: the smell of spruce tips.
The American larch: soft, sweet and resinous.
What trees weep: incense, amber and balm.
Not a material but an accord: labdanum, benzoin and vanilla, warm, sweet and resinous. It has nothing to do with the fossil. White amber is lighter and more musky; mineral ambers are drier.
A general balsamic note: warm, sweet, resinous.
A resin that smells of vanilla, caramel and cinnamon. Siam benzoin, from Laos and Thailand, is the sweetest.
A deep red resin: sweet, woody and a little powdery.
A resin with a lemony, peppery, fresh smell, the lightest of the incenses.
Olibanum: the resin of a desert tree. Lemony, peppery and smoky, like a church.
The smoke of burning resins: frankincense, myrrh, church and temple.
A gum from the rockrose shrub, once combed from the beards of goats: dark, leathery, ambery and animalic. The heart of the amber accord.
A resin: bitter, medicinal, mushroomy and warm. Sweet myrrh is opoponax.
Sweet myrrh: warm, sweet, powdery-balsamic, softer than myrrh.
A balsam that smells of vanilla, cinnamon and warm resin.
The sap of the ponderosa pine: sweet and resinous, with a vanilla note.
The resinous glue bees seal their hives with: balsamic, honeyed and medicinal.
A general resinous accord, warm and balmy, with no one resin named.
A resinous note with a sweet, boozy, rum-like warmth.
A resin from a North African cypress, used in old varnishes: dry, resinous and a little fresh.
Resin freshly cut through with the wood: sharp, sappy and balsamic.
A balsam: leathery, smoky and a little like cinnamon and plastic.
A balsam, sweeter and lighter than Peru balsam: vanilla and toffee.
Distilled from pine resin: sharp, solvent-like and piney, the smell of an artist's studio.
Musks, leathers and the warmth of bodies.
A waxy substance from the sperm whale, aged by the sea for years: salty, sweet, marine and skin-like. Nearly always synthetic now.
A hibiscus seed that smells musky, pear-like and winey: the plant-world's musk.
A general animalic accord: warm, dirty and skin-like.
Musk from plants rather than molecules or animals, such as ambrette seed.
Once taken from the beaver, now reconstructed: leathery, smoky and animal.
Once from the civet cat, now synthetic: faecal on its own, warm and radiant in a trace.
A root whose oil smells like unwashed hair and animal fur: dirty, warm and waxy.
The smell of goat: warm, sweaty and animal. A tincture is the hair steeped in alcohol, most famously in Haxan.
Africa stone: the fossilised droppings of the rock hyrax. Animalic, leathery and a little like tobacco.
The fat of sheep's wool: waxy, soft and faintly animal.
Tanned hide: smoky, birch-tarry, a little sweet.
Once taken from musk deer, now made from molecules: soft, clean, skin-like warmth. White musk is the laundered, cleanest kind; Tonkin musk names the old deer musk.
Warm wool: lanolin, animal and a little sweet.
The warm, slightly salty smell of skin, built from musks.
Soft, powdery leather: lighter and cleaner than leather.
Soil, moss, fungus and stone.
Moss from Moroccan cedars: a gentler, woodier cousin of oakmoss.
Cement and dust: dry, chalky and urban; wet, it smells of rain on a pavement.
Wet leaves and undergrowth: green, rotting-sweet and earthy.
Dry, powdery and a little sweet, like a room nobody has opened.
Crusty growths on rock and bark: dry, earthy and mineral.
Stone, chalk and flint: dry, cool and mineral.
Damp green moss on stone and bark.
Damp, earthy and umami. Morel is nutty and smoky; oyster mushroom is softer.
A lichen that grows on oaks: damp, earthy, inky and green. The base of the chypre, now limited by safety rules.
Decayed moss: smoky, earthy and damp, as in Islay whisky.
The smell of rain on dry ground: geosmin and the oils stone holds.
Warm, dry and mineral; sun-burnt sand is hot and salty.
Earth: damp, rooty and dark, from geosmin, the molecule of wet earth. A tincture is earth steeped in alcohol.
Jatamansi, a Himalayan root: earthy, musty and woody, between valerian, patchouli and old leather.
Still, dark water: green, muddy and a little rotten.
A lichen from pine and fir: darker, smokier and more resinous than oakmoss.
Rain on rock: cold, mineral and clean.
Sea, rain, steam and open sky.
A light, diffusive note that gives air and space rather than a smell.
Clean water, built from molecules such as Calone: fresh, cool and faintly melon-like.
An impression of open, cloudless sky: airy, cool and clean.
An impression of cold air after dark: sharp, clean and empty.
Tombstone's water gone still and stale: the dark, unmoving water round a sunken coffin.
The sea: salty, windy and fresh.
The smell of air after a storm: sharp, clean and metallic.
Falling rain: wet, cool and fresh.
Dry salt crystals and spray: mineral, salty and skin-like.
Salt water: fresh, mineral and a little green.
Kelp and bladderwrack: salty, iodine-green and a little fishy. Irish sea moss is a red seaweed.
The warmth of sun on skin and sand: salty, floral and a little like sunscreen.
Warm water vapour: soft, damp and clean.
Fire, tar and what burning leaves behind.
What is left after the fire: cold, dry and grey.
Tar distilled from birch bark: smoky, leathery and medicinal; it tans Russian leather.
Open flame: hot, dry, crackling smoke.
Petrol: sharp, volatile and chemical.
A South American wood burned like incense: citrusy, minty and resinous. Smoked, it becomes sweet smoke.
Tar from pine wood: dark, smoky and resinous, the smell of old ships and baseball bats.
Burning wood and leaves: dry, bitter and warm.
Wood burning slowly without flame: soft, sweet smoke.
Notes that are not materials: objects, places, feelings, named by a house.
Old animal-skin paper: dry, dusty, a little leathery.
The powdery smell of makeup blush.
Paraffin and beeswax: warm, waxy and faintly smoky.
Materials extracted with carbon dioxide under pressure instead of heat or solvents, so they smell closer to the raw plant. Named as a note, it says how, not what.
A rose past its best: jammy, earthy and a little rotten.
Metallic and iron-rich: the smell of blood gone dry.
An antique shop: old wood, dust, polish and metal.
An old upholstered chair: dust, fabric and the people who sat in it.
The waxy, woody smell of a cosmetic pencil.
Ataraxia names it and does not say what it is made of: an impression of warmth and richness.
The chemical smell of a freshly developing Polaroid.
Sweet, fruity and waxy.
Waxy, powdery and floral, like the inside of a lipstick tube: violet and rose.
Pressed powders and waxes: a vanity drawer.
A classic base from around 1900: geranium, licorice, vanilla and a smoky leather molecule. Sweet, powdery and animalic, the smell of old Carons.
Library shelves: dust, paper, glue and leather, sweetened by decaying lignin.
The old name for the amber family: warm, sweet, spicy and resinous. The industry now calls it 'amber'.
Clean paper: dry, woody and faintly sweet.
Smooth, cool and clean: a feeling more than a smell.
Decay, named as a note for its darkness rather than recreated in full.
Salt and skin: a mineral, slightly bodily note.
Ataraxia's conceptual note: clear, cold, clinical, bodily.
Soft, powdery, rich texture made into smell.
Pipe-weed from the Shire, after Tolkien: Pineward's tobacco, named for the Hobbits' best.